Archive for the ‘Music’ Category

Bring back Dame Shirley Bassey!

October 5, 2009

A behind-the-scenes look (or listen) at Dame Shirley Bassey’s new album project has been launched on YouTube. Here’s the video:

It’s obvious that this legend still has “her groove”. Those song excerpts are astonishing. I really can’t wait to hear this album in full.

EON Productions… do yourself a favor. Hire Dame Shirley Bassey to sing the theme song for the next Bond film. David Arnold’s got her back (he’s producing her new album), and she’s never failed the franchise.

Keep an eye out for “The Performance”, coming to stores November 9th. For more information, check out Dame Shirley’s home page: http://www.dameshirleybassey.com/

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David Arnold conducts two “Casino Royale” tracks…

July 4, 2009

Nicholas Dodd tends to conduct most of David Arnold’s James Bond scores.

Here’s a glimpse at the Bond composer conducting his own music …

David Arnold conducts “City of Lovers”:

David Arnold conducts “The Name’s Bond … James Bond”:

Though I’m not much of a fan of his Casino Royale score, it’s still interesting to see him conducting his own work.

Top 5 — John Barry 007 Scores

June 28, 2009

1. You Only Live Twice – John Barry captures the beauty of Japan in this score. Alongside the sweeping strings, and Far Eastern sounds, this soundtrack is also infused with some great themes. This score delivers music of suspense, romance and action. The sliding bass guitar  also brings the “coolness” of the James Bond theme to a whole different level. To me, this is Barry’s finest score of all time.

Recommended Tracks:

  • “James Bond in Japan” – Track 13
  • “Fight At Kobe Docks / Helga” – Track 3
  • “Mountains and Sunsets” – Track 7



2. “On Her Majesty’s Secret Service” – Another brilliant soundtrack by John Barry. This seems to be a score that features one of his earliest uses of synthesizers, and it works extremely well. The score is infused with romantic music that fits the film perfectly. It also features some of the series’ greatest action cues. There’s plenty of music to enjoy on this score.

Recommended Tracks:

  • “Main Theme: On Her Majesty’s Secret Service” – Track 6
  • “Battle at Piz Gloria” – Track 10
  • “Try” – Track 3



3. The Living Daylights – John Barry’s last James Bond score, and certainly one of his best. This score relies on synthesizers like “On Her Majesty’s Secret Service”, but the outcome is superb. This score is infused with many melodies, both romantic, suspenseful, and action-packed. This is definitely a perfect 80’s Bond score.

Recommended Tracks:

  • The Sniper Was a Woman – Track 3
  • Mujahadin and Opium – Track 10
  • Assassin and Drugged – Track 16



4. “Diamonds Are Forever” – Though the film was silly, John Barry seemed to have taken the score seriously, as always. Barry offers listeners a haunting theme for the film’s henchmen – the best henchmen theme of the series – and his style matches the sleaziness of the film perfectly. Some cues capture the silliness of the film, also, but I’d say that, overall, this is one of Barry’s more dark scores.

Recommended Tracks:

  • “Mr. Wint and Mr. Kidd / Bond to Holland” – Track 14
  • “Gunbarrel and Manhunt” – Track 13
  • “Airport Source / On the Road” – Track 16



5. “Goldfinger” – This is most likely one of Barry’s more popular scores, and for a good reason! Not only does it feature Dame Shirley Bassey’s iconic Bond theme, but it also features a collection of great action and adventure music. This score is very jazzy at times, too. Overall, there’s not much to dislike about this Bond score. It has certainly earned the status of “quintessential”.

Recommended Tracks:

  • “Main Theme: Goldfinger” – Track 1
  • “Alpine Drive / Auric’s Factory” – Track 3
  • “Oddjob’s Pressing Engagement” – Track 4