Posts Tagged ‘The Spy Who Loved Me’

Martin Grace (1942-2010)

January 29, 2010

Bond stuntman and stunt double Martin Grace has passed away at the age of 67. Grace was an accomplished stunt performer and coordinator, and was Roger Moore’s stunt double through most of his Bond films. Grace’s first 007 credit was in Sean Connery’s “You Only Live Twice” in 1967, before becoming Moore’s regular stunt double from “The Spy Who Loved Me” (1977) up until his departure from the series in “A View To A Kill” (1985).

Grace’s other major film credits as a stunt performer/coordinator include: “Superman” (1978), “Raiders of the Lost Ark” (1981), “Robin Hood” (1991) and “The Truman Show” (1998). Grace also appeared on screen as an actor, which included working with former James Bond actor Pierce Brosnan in “Robinson Crusoe”.

Over his career, Grace worked on 73 motion pictures as well as many popular television programs including “Monk” and “Heroes”. His last big-screen stunt work was on the 2007 Jim Carrey film “The Number 23”.

After suffering a cycling accident in late November 2009, Martin fractured his pelvis and was hospitalized for some weeks. In late January he was taken from his home in Spain to hospital again after developing breathing problems. He died aged 67 on 27th January 2010 after suffering an aneurysm.

Rest in peace.

Advertisements

Celebrate Thanksgiving weekend with James Bond…

November 25, 2009

The SyFy Channel will be airing a total of sixteen James Bond films this Thanksgiving weekend. Below is the full schedule:

Thursday – November 26th 2009

8:00 AM –  Dr. No
10:30 AM – Licence To Kill
1:30 PM –  Live And Let Die
4:00 PM – The Spy Who Loved Me
6:30 PM – Tomorrow Never Dies
9:00 PM – Casino Royale

Friday – November 27th 2009:

12:00 AM – For Your Eyes Only
2:30 AM – The Man With The Golden Gun
08:00 AM – Thunderball
10:30 AM – From Russia With Love
1:00 PM – You Only Live Twice
3:30 PM – Diamonds Are Forever
6:00 PM – Casino Royale
9:00 PM – GoldenEye

Saturday November 28th 2009:

12:00 AM – Goldfinger
2:30 AM – Never Say Never Again

 

All times are EST.

Film Review ::: Moonraker

June 19, 2009

“Moonraker” brings the fantasy of the James Bond films to a whole different level … a level that I don’t care much for.

The film’s story hardly resembles Fleming’s classic novel. As a matter of fact, it’s simply another lame rehashing of the story from “The Spy Who Loved Me” (courtesy of Christopher Wood) … which was essentially a rehashing of Roald Dahl’s story for “You Only Live Twice” – quite original, eh?

The characters don’t have much going for them. The most complex character of the film is probably James Bond, which is really no surprise. Roger Moore portrays him elegantly and humorously as he did in the past three films. Lois Chiles’ character, Dr. Molly Goodhead, is quite bland, to say the least. Michael Lonsdale portrays Hugo Drax in an interesting fashion, but hardly comes off as menacing or diabolical; he’s more or less a wealthy and extravagant nut case. “Jaws” unfortunately returns in this film and adds more ridiculous nonsense, also. However, this time around, the ingenious writer had the audacity to incorporate a half-witted love story amongst the metal-mouthed henchman and a petite, pig-tailed blonde named Dolly. By the end of the film, Jaws realizes that the odd couple isn’t fit for Drax’s superior race and rebels. This would’ve been a nice cash-in, made-for-TV, spin-off flick.

The greatest aspect of this James Bond film has to be John Barry’s score. If there’s one man behind-the-scenes of a Bond film who always does his job well, it’s John Barry. Somehow, Barry was able to add some sort of redeeming quality to even the cheesiest scenes of the film. One of his best pieces of music for the film is “Corinne Put Down”, which is played during Corinne’s death. The strings and winds really add emotion and depth to the scene. Shirley Bassey’s title track for the film was also great although it was wasted on such a shameful Bond film. The mellow and lovely style of the track really didn’t fit the style of the film. The locations of the film were admirable, also. Bond travels to California, Rio de Janeiro, Venice, and Brazil. The only undesirable location was outer space.

Overall, I think that “Moonraker” starts off just like the previous Moore films, however, it gets out of control as it moves on. It’s obvious that the success of George Lucas’ “Star Wars” films helped to blast this Bond film into outer space. However, while “Star Wars” succeeded as a science-fiction/action/adventure film, “Moonraker” failed as a science-fiction/action/adventure film. Actually, I’m not even quite sure what genre “Moonraker” falls under, as it’s more like a science fiction/action/adventure/espionage/comedy.

I think Bond films like this took the main character off of the path of “secret agent”, and took him onto the path of “generic action hero”. While a Bond film should have a sufficient amount of action, the character must never enter the realm of “generic action hero”. Bond is a trend-setter, not a trend-follower. Bond’s an elegant secret agent, but also a cold killer, if need be. James Bond isn’t a man who flies around outer space and blasts poison pods with lasers, as one would in a Space Invaders video game.

I think it’s safe to say that James Bond should wield his Walther PPK on planet Earth, rather than wielding a laser gun in outer space.

4.5 / 10

4.5 / 10