Posts Tagged ‘Timothy Dalton’

Timothy Dalton turns 64…

March 22, 2010

On March 21st, the 4th actor to play James Bond in the official film series, Timothy Dalton, turned 64 years old.

And like his Bond actor counterparts, he’s looking good for his age, too!

Happy Birthday, Timothy Dalton.


Celebrate Thanksgiving weekend with James Bond…

November 25, 2009

The SyFy Channel will be airing a total of sixteen James Bond films this Thanksgiving weekend. Below is the full schedule:

Thursday – November 26th 2009

8:00 AM –  Dr. No
10:30 AM – Licence To Kill
1:30 PM –  Live And Let Die
4:00 PM – The Spy Who Loved Me
6:30 PM – Tomorrow Never Dies
9:00 PM – Casino Royale

Friday – November 27th 2009:

12:00 AM – For Your Eyes Only
2:30 AM – The Man With The Golden Gun
08:00 AM – Thunderball
10:30 AM – From Russia With Love
1:00 PM – You Only Live Twice
3:30 PM – Diamonds Are Forever
6:00 PM – Casino Royale
9:00 PM – GoldenEye

Saturday November 28th 2009:

12:00 AM – Goldfinger
2:30 AM – Never Say Never Again


All times are EST.

Timothy Dalton in … er, Toy Story 3?

September 10, 2009

That’s right…

Empire Online has reported that Timothy Dalton, the 4th James Bond actor, will be making a voice cameo in Pixar’s Toy Story 3 as “Mr. Pricklepants, a hedgehog toy with thespian tendencies.”

Disney President John Lasseter announced this news today at a London-based Disney Animation Showcase.

I think Dalton’s a great actor, and it’s even better when we get to see him play fun roles, like his part in Hot Fuzz. I’m sure he’ll entertain us in Toy Story 3, all the same.

David Hedison booked for ‘Big Apple Comic Con’

August 29, 2009

David Hedison, who played James Bond’s CIA counterpart Felix Leiter  in “Live and Let Die” and “Licence To Kill”, reports on his website he will be attending the convention in October. The event runs for three days from 16th to 18th October 2009, and Hedison will be attending all three.

The event will be staged at Pier 94 Manhattan, on 55th & 12th Avenue, New York, NY 10019.

The following are the opening hours of the convention:

Friday, October 18, 2009 – 12 Noon – 8pm
Saturday, October 19, 2009 – 10am – 7pm
Sunday, October 20, 2009 – 10am – 5pm

Tickets for three days entry start from $45.00.

Book tickets online at the official website.

Film Review ::: Licence To Kill

July 14, 2009

Timothy Dalton’s second James Bond film outing certainly doesn’t match his debut.

The film takes bits and pieces from various Ian Fleming and patches them together, to create an action-packed 80’s thrill-ride. You can certainly find bits of Fleming’s “Live And Let Die” and “The Hildrebrand Rarity”, most of all.

The characters in this film are more or less “hit or miss”, as the saying goes. I would have to say that Sanchez and James Bond are the two most interesting characters of this film, alongside Desmond Llewelyn’s more involved role. Robert Davi’s Franz Sanchez is a very nasty Bond villain. Davi captures the intimidating and brutal characteristics of a ruthless drug dealer. Through out the film, he proves to be a worthy nemesis for James Bond. As for Timothy Dalton’s performance as James Bond, he shines once again. It’s a shame though that his second film couldn’t have improved upon his first film, and it’s a shame that this was his final James Bond outing. Once again, Dalton portrays a Fleming-esque James Bond; probably more so than any actor of the series. The rest of the characters were rather bland, or flat. Carey Lowell’s Pam Bouvier was an average Bond girl. Talisa Soto’s performance as Lupe was not anything superb, either. Anthony Zerbe’s Milton Krest seemed like an uninspired character, too. It was nice to see David Hedison reprise his role as CIA agent Felix Leiter; however, some of the scenes featuring Hedison were laughable (specifically, the scene where Hedison is running alongside the two DEA agents).

Michael Kamen’s score for this film usually goes unappreciated, but I have to admit that I enjoy it. Supposedly, Eric Clapton added a few guitar pieces to the score, which makes it even more interesting. Some of Kamen’s score drags on, but his rendition of the James Bond theme is fantastic, and quite memorable. Gladys Knight provides some great vocals for the main theme, too, but the lyrics are of poor quality.

The locations are rather bland, also. The most interest location seems to be Key West, which is only featured in the film for a short amount of time. The fictional Isthmus City and the deserts of Mexico are nothing memorable, but do provide as quality stages for some of the film’s major action and suspense sequences. As for the style of the film, it stands out as “just another 80’s film”. By this, I mean the film has a dingy quality, and seems grainy at times. There are no stand-out camera angles or innovative shots. John Glen filmed this pretty straight-forward.

Overall, this film seems like the “Die Hard” of the James Bond series. It’s mainly an action-driven story, featuring low-key performances. It’s a shame that Timothy Dalton had to finish off his short James Bond career with this film. I wish they would have done a film more like “The Living Daylights”, instead. The action is admirable, at least, and I do enjoy the score quite a bit. The two lead performances are fantastic, too.

With this being my first James Bond film, I have to hold it in some high regard. It was enough to get me interested in the series. Had it not been as interesting as I thought, then perhaps I wouldn’t even be posting this right now.

8.0 / 10

8.0 / 10

Premiere Dates & Box Office Earnings

June 20, 2009

I’ve compiled a list of Bond film premiere dates and Bond film box office earnings. Then, I summarized the relationships between them. It’s pretty interesting … check out the results:

*** Stats include domestic box office figures. All of the numbers used are adjusted for ticket price. No worldwide figures are included due to issues that would arise because of exchange rates.


A View To A Kill (22nd)

Octopussy (6th)
You Only Live Twice (12th)
Licence To Kill (13th)
For Your Eyes Only (24th)
Moonraker (26th)
Live And Let Die (27th)
The Living Daylights (29th)

The Spy Who Loved Me (7th)

Goldfinger (17th)

Dr. No (5th)
From Russia With Love (10th)
Quantum Of Solace (29th)

The World Is Not Enough (8th)
GoldenEye (13th)
Casino Royale (14th)
Die Another Day (18th)

Thunderball (9th)
Tomorrow Never Dies (12th)
Diamonds Are Forever (17th)
On Her Majesty’s Secret Service (18th)
The Man With The Golden Gun (19th)

BOX OFFICE EARNINGS (Highest to Lowest)

1. Thunderball: $453,095,866
2. Goldfinger: $394,367,777
3. You Only Live Twice: $262,186,956
4. Moonraker: $201,120,379
5. Die Another Day: $198,892,351
6. Tomorrow Never Dies: $196,009,738
7. From Russia With Love: $191,441,691
8. Diamonds Are Forever: $190,681,422
9. Casino Royale: $183,551,449
10. The World Is Not Enough: $179,420,403
11. GoldenEye: $175,670,569
12. Quantum Of Solace: $168,368,427
13. Octopussy: $154,754,344
14. The Spy Who Loved Me: $150,807,925
15. Live And Let Die: $143,519,092
16. For Your Eyes Only: $141,566,877
17. Dr. No: $135,719,190
18. On Her Majesty’s Secret Service: $115,155,535
19. A View To A Kill: $101,790,071
20. The Living Daylights: $93,993,540
21. The Man With The Golden Gun: $80,523,508
22. Licence To Kill: $62,697,523


A View To A Kill (22nd) $101,790,071


Octopussy (6th) $154,754,344
You Only Live Twice (12th) $262,186,956
Licence To Kill (13th) $62,697,523
For Your Eyes Only (24th) $141,566,877
Moonraker (26th) $201,120,379
Live And Let Die (27th) $143,519,092
The Living Daylights (29th) $93,993,540

The Spy Who Loved Me (7th) $150,807,925

Goldfinger (17th) $394,367,777


Dr. No (5th) $135,719,190
From Russia With Love (10th) $191,441,691
Quantum Of Solace (29th) $168,368,427


The World Is Not Enough (8th) $179,420,403
GoldenEye (13th) $175,670,569
Casino Royale (14th) $183,551,449
Die Another Day (18th) $198,892,351


Thunderball (9th) $453,095,866
Tomorrow Never Dies (12th) $196,009,738
Diamonds Are Forever (17th) $190,681,422
On Her Majesty’s Secret Service (18th) $115,155,535
The Man With The Golden Gun (19th) $80,523,508


January – April: N/A

May: $101,790,071

June: $1,059,838,711

July: $150,807,925

August: N/A

September: $394,367,777

October: $495,529,308

November: $737,534,772

December: $1,035,466,069


  1. June: $1,059,838,711
  2. December: $1,035,466,069
  3. November: $737,534,772
  4. October: $495,529,308
  5. September: $394,367,777
  6. July: $150,807,925
  7. May: $101,790,071
  8. January – April, August: N/A

Seems like the films launched in June and December have generated the most bank for EON Productions. November comes in at third. With these lists, I haven’t taken into consideration James Bond stars, seasons, or decades; therefore, you can expect more stats to come!

Special thanks to Karl Bennett and Box Office Mojo for their assistance with the numbers/statistics.

Top 5 – Quintessential Fleming Thrillers

June 19, 2009

Below I’ve listed the top 5 Bond films that qualify as quintessential Fleming thrillers. In my opinion, these five films capture the essence of Fleming’s novels and legendary characters.

I’ve provided a small blurb for each, regarding why I consider it to be “quintessential”.

1. From Russia With Love – Perhaps one of the finest Cold War thrillers ever made. The second film of the Bond series, and also my second-favorite. This features another cast of brilliant characters, with an even more interesting plot than “Dr. No”. This is not only a must-see Bond film, but also a must-see espionage film.

2. Dr. No – The first Bond film, and what I consider to be the best. This Bond flick is made in true Fleming fashion. It contains some great espionage and detective work, a wonderful cast of characters, and a solid plot.

3. The Living Daylights – Though Fleming was long-gone in 1987, “The Living Daylights” pays a wonderful tribute to the Bond author. Timothy Dalton’s portrays Fleming’s character brilliantly, in a great Cold War thriller. If you take your Bond seriously, this is surely the one for you.

4. For Your Eyes Only – Moore’s finest Bond flick. Most of the film is taken seriously. The only downfall is its score. Otherwise, the film proves to follow Fleming’s short story, “Risico”, quite well. Great characters, and a very down-to-Earth and interesting plot. This is certainly a fresh, new start, following Moore’s out-of-this-world adventure, “Moonraker”.

5. On Her Majesty’s Secret Service – George Lazenby’s first and final Bond flick surely makes for a great Fleming thriller. Though I’m not keen on Lazenby’s acting, the other actors in the film make up for what he lacks — especially Diana Rigg. The film preserves many aspects of the novel and also features one of the best John Barry scores of all time. It’s surely a refresher from the over-the-top “You Only Live Twice” and takes a more realistic approach.

Licence To Kill — 20th Anniversary

June 19, 2009

Twenty years ago, “Licence To Kill” graced silver screens all over the world.

The 16th James Bond film premiered in the UK on June 13th, 1989. The US were given “Licence To Kill” a month later, on July 14th, 1989.

For me, “Licence To Kill” is a very important film, in regards to the world of Bond.

If you’ve read the “About” section of this blog, then you’ll know that “Licence to Kill was my first James Bond film experience. I was in 6th grade when I saw the film – around 11-years-old or so. I ended up taping it on TBS because it was aired past my bed time. The day later, which I believe was a Saturday, I watched the film, and became an instant fan of James Bond. From this point on, I began buying the films on VHS. My second film viewing was Dalton’s first adventure, “The Living Daylights”. Within months, my Bond film collection was complete, and I moved on to conquer the music of the Bond universe. On the topic of Bond music, during the past twenty years, composer of the “Licence To Kill” score, Michael Kamen, sadly passed away at the age of 55.

Coincidently, “Licence To Kill” was released not-too-far after my date of birth, also.

To celebrate the 20th anniversary of “Licence To Kill”, I’ll be providing an in-depth review of it next month, on the anniversary of the film’s US premiere (July 14th).